A tipster writes in with breaking news that tonight at 9:00pm three Downtown Louisville condo projects will be featured on national television. HGTV’s House Hunters show will be looking at the Bycks Lofts, the Fleur de Lis on Main and the Henry Clay.
Katy and Lloyd Bosse love living in Louisville so much that they are buying a vacation home just 10 minutes from their current house. With a budget of up to $300,000 Katy and Lloyd are looking for a modern, high-end condo with at least two bedrooms and an outdoor space. Their realtor looks forward to finding the perfect unit amongst all the recent construction in the area.
Should provide some great exposure for Louisville nationwide. If you miss the show at 9:00 tonight, it will be rebroadcast again at midnight and then again on December 5 at 10:30 p.m. and December 6 at 1:30am for those night owls.
There’s no doubt you have heard about the Sustainable City Series or perhaps you’ve even been to a couple of the talks. SSC forums cover various topics from urban agriculture to the future of transportation and bring together some of the leading minds in Louisville to discuss important topics on the future of the city. Now the Urban Design Studio who puts on these events is seeking your input to improve the program.
Resembling a giant wind-up toy set for an energetic race at high noon, the Louisville Clock or Derby Clock designed by local sculptor Barney Bright has now been painstakingly restored thanks in large part to local businessman Adam Burckle, owner of Adam Matthews, Inc. cheesecake company. Now that restoration work is winding down and the clock ready to be wound up, a site for the clock may have tentatively been found.
History of the Louisville Clock
Originally commissioned in 1970 to fill a prominent spot on the River City Mall, a pedestrian plaza on what’s now Fourth Street once hoped to revitalize Downtown Louisville, the clock was finally dedicated in December of 1976. Although widely lauded and loved by onlookers, the clock was plagued by mechanical problems and the ill-conceived pedestrian mall failed. The clock was moved to Guthrie Street when the mall was removed and later to the entrance of Kentucky Kingdom. In 1993 the clock was dismantled and distributed to various sites in the city.
In 2004, Burckle’s Adam Matthews Foundation took control of the clock and moved all the pieces to Bowman Field where restoration work commenced. Years later and with the help of countless volunteers, the work on the Louisville Clock is largely finished and Burckle has been looking around for a prominent site on which to display the landmark piece of folk art.
Site Selection
Two sites originally proposed were rejected on grounds that the clock would not fit with pre-existing master plans: the Arena and Waterfront Park. Burckle has been working with the city to find another suitable location and is currently in discussions with the Louisville Zoo to place the clock somewhere at the facility, most likely outside the front gate.
While placing the Louisville Clock at the Louisville Zoo is certainly not a poor choice, I believe a much more prominent location is desirable. Adam Burckle should be the major decision maker for the location, of course, due to his efforts in restoring such an important piece of local art, but a site must be chosen very carefully after so much hard work has been poured into the clock.
In my opinion, a location at the zoo could bring a good deal of exposure to the clock, but there are many issues that should be considered. First, the zoo is largely a destination spot in a not-so-walkable part of Louisville. Why not find a spot where someone could turn a corner stumble carelessly upon the delightful clock in addition to those who intentionally seek it out? A place would be desirable if many people from all walks of life and all age groups could view it on a regular basis, not just on trips to the zoo.
If located outside the zoo’s gates, it would allow people to visit the clock without paying zoo admission, but wouldn’t be part of the majority of time spent by visitors inside the zoo. In addition, it seems unlikely that one would stop by during the zoo’s non-operational hours, and certainly not late at night. In a purely selfish argument, I personally might visit the zoo once or more times a year, but would find it hard to justify stopping by just to take a look at the clock, especially when its signature races are time specific.
A Proposal
I’m not sure if the site has been considered, but I propose returning the Louisville Clock to Downtown near the site of its inception. Actually, in a place the clock once called home: the Guthrie Green. Not only would the location be in a prominent public space on one of Louisville’s most important streets, the clock could help unite development that’s been ongoing on Fourth Street from 4st Street Live to Broadway. This location is certainly walkable, often quite lively, and accessible at all hours. The currently uninspiring Guthrie Green could certainly benefit from a whimsical touch of folk art that would encourage gathering.
Such a location as the Guthrie Green is laden with symbolism. The sculpture was originally commissioned as a rejuvenating force for Downtown. The River City Mall and the Louisville Clock suffered along with Downtown through the 1970s and 1980s, but now that Louisville is turning an important corner and appears be well on its way back, placing the clock on the Green would be a symbol to which the city could easily point. It would say, in a way, that the last 30 years on Fourth Street counted for something more than the memories of the defunct pedestrian street and Galleria.
This is just my proposal for a site that would appropriately honor the Louisville Clock and everything it means to the city. Whichever location is eventually chosen can still be considered a win since the clock will be up and running and available to see. For that, we all owe a great debt to Adam Burckle and all the volunteers who have worked to restore the clock.
Earlier this summer, a small fire broke out at the old Bauer’s / Azalea Restaurant building at 3612 Brownsboro Road. After the smoke had cleared, a tipster snapped these photos of the boarded up former blacksmith shop dating to 1868. From what we can tell, the fire was set by a group of kids who were apparently trespassing. As you can see, very little damage was done to the building. Once up for demolition, the structure was declared a Local Landmark by the Metro Landmarks Commission after a substantial neighborhood outcry, but development plans continue for the site.
Current property owners, the Charles F. Bauer family, have revised their plans to build a Rite-Aid Pharmacy on the site and to preserve some of the existing building. Now, the proposal calls for a nearly 15,000 square foot stand-alone pharmacy built with more traditional materials such as brick with a coffee shop and potentially another retail space in the old Bauer’s Building. A total of 80 parking spaces are planned for the pharmacy and coffee shop.
Changes to the original structure must be reviewed by the Metro Landmarks Commission, but Cynthia Johnson who is handling the case for the city explains that from submitted elevations, only modern kitchen additions will be removed. The front facade facing Brownsboro Road should remain intact as well as a brick terrace and an addition from the 1950s that have been characterized as contributing elements of the historic property. A full demolition plan is required to complete the process.
The building was originally built as a blacksmith shop, wagon workshop, and general store operated by John Bauer in 1868. A couple years later, a cafe serving sandwiches and beer was added to serve traffic along a major toll road into Louisville. John Bauer’s descendants transformed the establishment into a more traditional restaurant serving American fare that operated until the 1980s when it was sold. Renovated in 1984, the structure later housed Latin-themed restaurant La Paloma and then Azalea restaurant.
No hearing date for the project has been set. Revised plans were submitted by the developers last week and a meeting with neighbors has been arranged for Friday to review the changes. A hearing could happen as early as late October or November, but planning officials say the project should definitely be approved by the end of the year.
Continuing with our series on new restaurants opening in Louisville, we bring news of five new businesses in the Louisville region, all opening or reopening in the hottest restaurant spots in Louisville: the Highlands, Nulu, and New Albany (yeah, NA is a veritable development hotspot nowadays). Check out previous installments here and here.
Cafe Mimosa and The Eggroll Machine. Nearly nine months after a devastating fire, Cafe Mimosa and the Eggroll Machine have reopened in the old Lentini’s Restaurant building last occupied by Jarfi’s Bistro at 1543 Bardstown Road. Everyone jumped on this one, so you can tell it’s a local favorite. [Read more: Official Site, Consuming Lou, V-V Eats, My Loueyville, Mojo, WHAS11 ]
PotStickers. Edward Lee, co-owner of upscale restaurant 610 Magnolia, has opened a new “upscale fast-food” concept at 938 Baxter Avenue. The restaurant opened Tuesday and serves sandwiches and noodles with a variety of sauces and toppings. Inside, salvaged materials and furniture provide for ‘green’ design elements. [Read more: C-J, Mojo]
La Bodega. Another fire victim, the popular tapas bar at 1606 Bardstown Road has emerged larger than before with new Spanish decor including an imported wooden bar. A grand-reopening is being held for the entire month of October. Neighboring De la Torre’s had reopened some time ago. [Read more: Official Site, Louisville.com, V-V Eats ]
Crush on Market. Located in the old Hausman building on the corner of East Market and Campbell Streets, entrepreneur Mike Schnell plans to open a wine bar, restaurant, art gallery, and wine shop. The art gallery on the second floor will open onto a landscaped roof above the wine shop, dubbed Cask 55. Plans call for a Spring 2010 opening. [Read more: Ville-Voice ]
Wick’s Pizza. The new location of the popular pizzeria should be opening imminently after its alcohol license was approved Tuesday. Already, a new neon sign has been hoisted and mounted to the facade of its New Albany home on 225 State Street. Inside, a bar was made of salvaged brick and timbers found in the building’s basement. [Read more: Official Site, NA Confidential ]
Congrats to Ken Wilson for identifying Monday’s sidewalk photo as Willow Avenue at Longest Avenue in the Cherokee Triangle neighborhood. Here’s a new sidewalk for you ready for guesses in the comments.
This video appeared on Country Music Television and is now going viral across Louisville. The prankster Tom Mabe, based in Louisville, goes around the Highlands and Downtown to catch unsuspecting people off guard. It’s really quite funny and it demonstrates a little more of urban sidewalk theater, although this time staged. What makes the clip even better is that I recognize a couple people in the video.
These clips are from a 1948 film appropriately titled In The Street. Filmed by James Agee, Helen Levitt, and Janice Loeb, the film documents street life in New York City. Similar scenes would no doubt be common in many major American cities in the first half of the 20th century, including Louisville. It’s especially interesting in light of a conversation earlier about city life as seen from this 1906 panorama in Downtown Louisville.
Thanks to SushiK, Jonas, and Jason for correctly identifying Thursday’s Sidewalk Photo as Frankfort Avenue in front of the Blue Dog Bakery in the Crescent Hill neighborhood. Here’s a new sidewalk photo to start off the week. Tell us where it is in the comments.
Also, here’s a quote from an Edmonton, Canada transportation official getting to the point that transportation is about more than getting around (via Overhead Wire): “The LRT [Light Rail Transit] is not just about moving people,” says Bob Boutilier, the general manager of the city’s transportation department. “It’s about building a city.”