Here’s your first look at the Cambria Hotel proposed at Downtown’s Connection nightclub

Plans have been filed with Metro Louisville for a six-story, 128-room Cambria Hotel proposed for the former Connection nightclub on the corner of Market Street and Floyd Street in Downtown. The $22 million project would rise 85 feet from the sidewalk on the eastern edge of Downtown near Slugger Field and the University of Louisville’s Nucleus campus.

A rendering provided to the city. (TBD+ Architects)
A rendering provided to the city. (TBD+ Architects)

Broken Sidewalk wrote about the planned hotel back in March, but then the deal was shrouded in a confidentiality agreement. Connection owners George Stinson and Ed Lewis of SLS Management have the properties at 120 South Floyd Street and 243–253 East Market Street under contract with Maryland-based Choice Hotels, which operates the Cambria brand.

The hotel proposal has been designed by Louisville-based TBD+ Architects. Plans show the building would cover 111,400 square feet over its six floors and calls for 60 car parking spaces and two bike spaces on the ground floor. A 23-foot-wide entrance to the parking lot is shown facing Market Street. The corner entrance would lift guests up to the second floor where the hotel reception and amenities begin. No retail is planned.

The structure itself is clad with limestone on its first two stories with brick above, according to sample sheets provided in the hotels application letter. Developers provided few details of the project’s materiality in their application. The design is fairly fairly generic, but it generally adheres to the guidelines outlined in the East Main–Market District of the Downtown Form District in which it sits.

“The building design is in keeping with the massing and materials of the historic district,” the architects wrote in the development application.

The existing site. (TBD+ Architects)
The existing site. (TBD+ Architects)

That form district, according to Louisville’s Land Development Code, is intended to “create a downtown with a compact, walkable core and a lively and active pedestrian environment that fosters and increases the number of people walking and to ensure a more humane environment.”

While the structure meets the guidelines, it does little to enhance the sidewalk experience along Floyd and Main streets. The surface level parking ensures there will be little activity on the sidewalk level, a wide curb cut on Market means pedestrians will have to dodge motorists, and the proposed demolition of two contributing structures will mean Louisville’s historic character is eroded even further.

Two contributing buildings at the Connection site. (Courtesy Google)
Two contributing buildings at the Connection site would be demolished. (Courtesy Google)

Broken Sidewalk sounded the alarm last year that these two buildings were in danger. “In this case we’re…dealing again with demolition, with outside developers, and with government transparency (or the lack thereof),” contributor Bryan Grumley wrote of the properties.

Grumley’s report went on to note that the Connection site has some protections. “This plot is subject to Downtown Development Review Overlay (DDRO) oversight,” he wrote. “For perspective, so was the Omni development where we’ve recently weathered the demolition of multiple NRHP-listed structures.”

The architects at TBD+ submitted a Historic Building Analysis on behalf of the developers, which, unsurprisingly, finds no reason to preserve the existing structures. “With this analysis, we are requesting that the two contributing structures located with (sic) the proposed development be approved for demolition so that the project can move forward.”

The report claims that the existing structures have been “significantly modified” and lack architectural merit. While the two buildings in question can’t compete with the Seelbach Hotel for architectural merit (and neither can the Cambria proposal, for that matter), they represent a quickly disappearing segment of Louisville history: its industrial heritage. These vernacular buildings were built plainly, but sturdily, and offer easy opportunities for adaptive reuse when a creative proposal comes along.

A 1905 Sanborn map of Floyd Street. (Courtesy KYVL)
A 1905 Sanborn map of Floyd Street. (Courtesy KYVL)

These types of buildings were crucial in the development of Louisville, but they often lack the same history of structures built in more polished quarters of the city. This was the ragtag Haymarket district, where crowded streets were full of farmers carts hocking their crop. It was fairly gritty, with industrial rail yards to the north where Slugger Field stands.

(Bryan Grumley / Broken Sidewalk)
(Bryan Grumley / Broken Sidewalk)

The two-story brick structure in this case dated to sometime between 1892 and 1905, according to Sanborn maps of the area. It began humbly as a junk shop collecting paper and rags in an intensely mixed-use area that included shops, houses, blacksmiths, wagon makers, saloons, and “piles of old iron.” An account of a similar facility in A Tree Grows in Brooklyn, recalls that children would collect scraps of paper, rags, and other rubbish to sell to such junk shops. It was a sort of early recycling.

Despite the architects’ report, the structure’s facade appears to be mostly intact. It’s unclear what lies below a new storefront, but it’s likely limestone columns given the proportion and scale of the windows. Such a system would have been common for buildings of this vintage. The report claims that decorative stone lintels have been removed, but our reading of the structure shows the arched, rusticated brick above the windows matches similar rusticated brick details along the cornice line, meaning this building likely never had stone lintels. And given its history as a junk shop, that would certainly be fitting.

The one-story building to the north was built later in 1925 for industrial purposes, and we weren’t able to track down its use. (Let us know if you know more.)

(TBD+ Architects)
A rendering shows the hotel is essentially built lifted over a parking lot. (TBD+ Architects)

As is usual in Louisville, the choice to demolish these structures comes down to parking. “If the existing building (sic) were retained it would limit or significantly reduce the number of parking spaces proposed for the site which would keep the project from moving forward.” The report also cites increased costs associated with keeping the buildings that developers aren’t willing to pay.

The architects also ruled out a facadectomy, or incorporating the facades of the structures into the new building. Such an option is not preservation, but has been a compromise solution for projects like the Downtown Marriott and Aloft hotels. The report states that the hotel’s floor-to-floor height (12 feet on the first two floors, then 10.5 feet for the rest) would not line up with the existing buildings.

The report ends bluntly: “The project will not move forward if the existing structures have to be incorporated.”

But does a former junk shop deserve to end up at the landfill? How do we balance preserving our rapidly dwindling supply of vernacular industrial buildings with new development? Those questions will have to be answered by the Downtown Development Review Overlay committee at a future hearing. But with an ultimatum already declared and the DDRO’s past history, it seems like there’s little hope for old Floyd Street.

The ground floor plan. (TBD+ Architects)
The ground floor plan. (TBD+ Architects)

But the biggest design flaw of the Cambria project is the orientation of the parking itself, along the sidewalk level. Were the project to move forward, the ground floor of this structure would present a dead face to the street.

But there appears to be an easy design fix that would allow almost all of the ground floor to include retail space. Sinking the parking one level into the ground, ramping down from the garage entrance and wrapping around using a path similar to the existing plan. If the parking entrance were located off the alley, even more space could be potentially freed up. Such a move would add some cost to the project, but it could also add additional parking spots and would provide income-generating retail space.

[Top image is a montage of a rendering provided in the application overlaid onto a street view image. It may not reflect the reality of how the final building may look and is meant for illustrative purposes only. Montage by Broken Sidewalk.]

President Barack Obama’s Remembrance of Muhammad Ali

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President Barack Obama sits in his private office in front of a photo of Muhammad Ali. (Courtesy The White House)
President Barack Obama sits in his private office in front of a photo of Muhammad Ali. (Courtesy The White House)

Late on Friday, June 3, the world lost a champ. Much has been said or written about Muhammad Ali in the past week as the world reflects on his impact in and out of the boxing ring. One of the best remembrances was shared by President Barack Obama this week in which he reflects on knowing of, and then knowing personally, Ali and his legacy. The White House posted the President’s remembrance of Ali to Facebook, and it’s well worth a read. Here’s the statement in full:

Muhammad Ali was The Greatest. Period. If you just asked him, he’d tell you. He’d tell you he was the double greatest; that he’d ‘handcuffed lightning, thrown thunder into jail.’

But what made The Champ the greatest—what truly separated him from everyone else—is that everyone else would tell you pretty much the same thing.

Like everyone else on the planet, Michelle and I mourn his passing. But we’re also grateful to God for how fortunate we are to have known him, if just for a while; for how fortunate we all are that The Greatest chose to grace our time.

In my private study, just off the Oval Office, I keep a pair of his gloves on display, just under that iconic photograph of him—the young champ, just 22 years old, roaring like a lion over a fallen Sonny Liston. I was too young when it was taken to understand who he was—still Cassius Clay, already an Olympic Gold Medal winner, yet to set out on a spiritual journey that would lead him to his Muslim faith, exile him at the peak of his power, and set the stage for his return to greatness with a name as familiar to the downtrodden in the slums of Southeast Asia and the villages of Africa as it was to cheering crowds in Madison Square Garden.

“I am America,” he once declared. “I am the part you won’t recognize. But get used to me—black, confident, cocky; my name, not yours; my religion, not yours; my goals, my own. Get used to me.”

That’s the Ali I came to know as I came of age—not just as skilled a poet on the mic as he was a fighter in the ring, but a man who fought for what was right. A man who fought for us. He stood with King and Mandela; stood up when it was hard; spoke out when others wouldn’t. His fight outside the ring would cost him his title and his public standing. It would earn him enemies on the left and the right, make him reviled, and nearly send him to jail. But Ali stood his ground. And his victory helped us get used to the America we recognize today.

He wasn’t perfect, of course. For all his magic in the ring, he could be careless with his words, and full of contradictions as his faith evolved. But his wonderful, infectious, even innocent spirit ultimately won him more fans than foes—maybe because in him, we hoped to see something of ourselves. Later, as his physical powers ebbed, he became an even more powerful force for peace and reconciliation around the world. We saw a man who said he was so mean he’d make medicine sick reveal a soft spot, visiting children with illness and disability around the world, telling them they, too, could become the greatest. We watched a hero light a torch, and fight his greatest fight of all on the world stage once again; a battle against the disease that ravaged his body, but couldn’t take the spark from his eyes.

Muhammad Ali shook up the world. And the world is better for it. We are all better for it. Michelle and I send our deepest condolences to his family, and we pray that the greatest fighter of them all finally rests in peace.

—President Obama

AIA-CKC Home Tour: Charles Cash

Home-Tour-2016-LogoOn Saturday, June 11, the Central Kentucky Chapter of the American Institute of Architects (AIA-CKC) will host its annual Home Tour and this year, we’re excited to be presenting media sponsors. The AIA-CKC Home Tour includes eight houses across Louisville, from Crescent Hill to Old Louisville to Norton Commons—you can view a full list here.

Home Tour tickets for all eight houses and an After Party Downtown at the Marketplace on Fourth cost $15 in advance via Eventbrite and $20 at the door of any house on the tour (cash only). Proceeds will benefit Habitat for Humanity. You can also share the Home Tour with your friends on Facebook. At the After Party Broken Sidewalk will be moderating a panel discussion on residential architecture in Louisville.

Leading up to the Home Tour, we’ll be highlighting each of the architects and their houses in exclusive interviews. Architect Charles Cash collaborated with architect Mary Herd Jackson to restore the antebellum Hendon House, 201 Crescent Court (map) in Crescent Hill. The 5,350-square-foot home features 10 fireplaces and a doorbell that operates off a system of pulleys.


(Courtesy Charles Cash / Mary Herd Jackson)
(Courtesy Charles Cash / Mary Herd Jackson)

Broken Sidewalk: Why should I come tour the Hendon House?
Charles Cash: The house is laden with both history and change. It is literally a phoenix which rose from the ashes of the 1974 tornado. My clients, Barbara Montgomery and Jim Adams, bought the house in 1991, correcting the unfortunate repair work done after the tornado. They have worked with loving care to bring the house to its current state.

(Courtesy Charles Cash / Mary Herd Jackson)
(Courtesy Charles Cash / Mary Herd Jackson)

What were the owner’s priorities for the project?
Mary Herd Jackson: As with other aspects of this decades-long renovation, the goals for the kitchen were to have it feel at home in the house. Though not a wood-burning 1840s kitchen, it needed to relate to the tall ceilings and wood floors throughout the house.The hope is that its installation date (2009) is not obvious, but that the custom maple cabinets and counters of marble and black granite are not time-specific.

One cabinet was designed to look more like furniture than built-in. We worked with existing window and door locations. Some appliances, namely the microwave and wine cooler, are tucked away inconspicuously.

(Courtesy Charles Cash / Mary Herd Jackson)
(Courtesy Charles Cash / Mary Herd Jackson)

To meet modern lifestyle requirements, the island offers a buffer between the social side of the kitchen and the functional work space. Guests can move from the dining room to the gracious side porch without bumping into the cook!

Likewise, the rear family entry with mudroom and laundry serves basic circulation criteria. It also doubles as kitchen staging when needed.

What concepts or specific elements inspired part of the design?
Charles Cash: Listening to the house tell us what it wanted to be…

What is the heart of this home?
The central stair hall(s), which organize all the spaces.

(Courtesy Charles Cash / Mary Herd Jackson)
(Courtesy Charles Cash / Mary Herd Jackson)

What was the strategy for outdoor space or landscape?
The owners have capitalized on the outdoor space they had, which is limited in size and orientation.

Can you explain the historic aspects of the house?
There is lot of history associated with this building, but for me as an architect and not historian, the continuity of change over long periods of time by caring owners is the most amazing aspect. For instance, there is evidence in the basement that fireplaces and chimney’s once separated the front and back parlors, and that these massive structural elements were removed at some early point to create the current center hall / four room floor plan of the front section of the house. This building has experienced very significant alteration from owners who were truly invested in the place (very different from many today who move every five years)!

(Courtesy Charles Cash / Mary Herd Jackson)
(Courtesy Charles Cash / Mary Herd Jackson)

What is the physical context of this house?
It sits at the back of Crescent Court and was once the estate house on a much larger property, which was subdivided and sold off to provide lots for homes developed in the late 19th and early 20th century.

Which design elements are true to the house’s past? Which are breaks from the past?
The roof structure is not historic, but gave the second floor volume, spaciousness, and most importantly, structural stability.

(Courtesy Charles Cash / Mary Herd Jackson)
(Courtesy Charles Cash / Mary Herd Jackson)

What is your favorite moment in the house?
The restoration of the central stair.

What is one of the owner’s contributions to the design?
Patience… Seriously —Their appreciation of the history, the character, and the quality of the light-filled spaces have kept them going with this project for three decades!

Road diet redesign of Third Street south of Watterson now under construction

Third Street south of the Watterson Expressway, from Southern Heights Avenue to its terminus at Kenwood Drive, is about to undergo a road diet. The four-lane street will be converted to three lanes—one lane in each direction with a turning lane under the $500,000 plan. As part of the project, sidewalk ramps at intersections along the two-mile route will be made ADA accessible.

The extent of the road diet on Third Street. (Montage by Broken Sidewalk)
The extent of the road diet on Third Street. (Montage by Broken Sidewalk)

According to the city, the changes are meant “to improve safety and efficiency.” And road diets have a track record in Louisville of doing just that. “One thing that diets do is both improve throughput and slow driving speeds,” Chris Glasser, president of Bicycling for Louisville, told Broken Sidewalk. “Anything that can slow driving speeds is good for people on foot or on bike.”

Third Street here is pretty narrow for a four-lane road at 36 feet from curb to curb, or four nine-foot lanes. Glasser noted that those lane widths made it difficult for TARC buses to navigate the area. Dirk Gowin, project manager for the road diet with Metro Louisville, also noted that 18-inch sewer grates at the curb are sunken a couple inches below grade, making the outer lanes bumpy and seldom used.

The new configuration calls for travel lanes of 11.5 feet and a 13-foot turn lane. “I’m very favorable to 10 foot lanes,” Gowin told Broken Sidewalk, noting that these lanes are essentially 10-foot lanes past the sewer inlets.

(Courtesy Google)
(Courtesy Google)

“With any road diet, it organizes traffic a little better,” Glasser said. “It makes turning movements more consistent.” He said this road diet configuration isn’t a game changer for people on bike, adding, “The bigger benefit is for pedestrians and drivers.”

(Courtesy Google)
(Courtesy Google)

Gowin said that the project is predominantly a repaving project, with new striping for the road diet put in. As such, he said the city wouldn’t be working to complete a few gaps in the sidewalk network along the two mile stretch. “Paving is not a trigger for looking at a complete street,” Gowin said, adding that it is a trigger for adding ADA curb ramps at intersections.

Gowin noted that the city uses a Pedestrian Master Plan to figure out where to fill sidewalk gaps based on a cost–benefit analysis. “That master plan prioritized where to focus on those gaps,” he said. “We’re whittling away on that very slowly.” One upcoming project to watch is filling in sidewalk gaps along Cannons Lane.

(Courtesy Google)
(Courtesy Google)

Work on the repaving project got underway this week, according to a press release, and is expected to last around three weeks, although Gowin said the goal is to be done in two weeks. He added that work on the ADA sidewalk ramps got underway in April and is now complete, but advised pedestrians to use caution when crossing the street in a construction zone.

 

 

 

Bike lanes under construction on 12th, 13th, Kentucky streets

A 2.2-mile stretch of new bike lanes are under construction along 12th Street, 13th Street, and Kentucky Street. Work began on June 6, according to the city, and it’s progressing fast, as these photos from Bike Louisville show.

Extent and type of bike lanes. (Montage by Broken Sidewalk)
Extent and type of bike lanes. (Montage by Broken Sidewalk)

As we previously reported last October when plans were announced, the bike lanes went through two rounds of public meetings and had been scheduled to get underway this year. City documents back then were unclear on how the alignment would run along 12th and 13th streets, but that has become clearer with a map on the Bike Louisville website, as illustrated on our map here.According to our initial report:

An existing buffered bike lane on Kentucky Street will be extended west from Eighth Street to 12th Street where it will pick up with the northbound route. Between Eighth and Ninth streets, a six-foot-wide bike lane is accommodated by removing the center turn lane. From Ninth to 12th streets, a five-foot-wide bike lane with a two-foot buffer is planned.

Along 12th and 13th streets from Kentucky to Market streets, travel lanes will be narrowed to create room for a generous buffered bike lane—seven feet of bike lane and five feet of buffer. On 12th and 13th streets from Market to Rowan streets, sharrows will be installed.

(Courtesy Bike Louisville)
(Courtesy Bike Louisville)

“The reconfigured cross-section improves safety for cyclists along the route and reduces the average vehicle speed within acceptable ranges of the posted speed limit,” Bike Louisville wrote in its project summary. “The excess pavement from the removed lane will be used to provide an additional buffer for cyclists by separating the bicycles from the vehicle travel lanes. This section of bike lane will improve connectivity by providing a direct link for cyclists between the River Walk multi-use trail and a future bike lane on Kentucky Street.”

(Courtesy Bike Louisville)
(Courtesy Bike Louisville)

From the markings visible in the photos, it appears that these bike lanes will get the same “diet green paint treatment” that the lanes on Sixth Street have, making them more visible. The bike lanes were designed by Metro Louisville Public Works engineers with help from Gresham, Smith & Partners.

These are spacious bike lanes which should make for some comfortable riding. Let us know what you think after you’ve taken a ride!

(Courtesy Bike Louisville)
(Courtesy Bike Louisville)

Motorist drives off after backing into mother and baby carriage

A Louisville hit-and-run motorist has been ordered to appear in court after allegedly backing her SUV into a mother and baby carriage, knocking the infant out onto the street, WAVE3 reports.

The incident took place on Saturday, May 25. Shaterriah Grant, 25, is charged with “leaving the scene of an accident,” “driving on a suspended or revoked license” and “failure to maintain insurance.” She is scheduled to appear in Jefferson District Court on June 23.

Aerial view of the intersection of Jefferson Street and 12th Street. (Courtesy Google)
Aerial view of the intersection of Jefferson Street and 12th Street. (Courtesy Google)

According to a criminal complaint, the motorist was backing up when she struck the stroller being pushed by the child’s mother, Mary Springer, across 12th Street. The 22-month-old, Chase Springer, suffered leg injuries and was taken to Kosair Children’s Hospital. The child suffered a fractured leg and is currently recovering, according to an update from WAVE3.

WAVE3 reports that the mother ran to Grant’s vehicle, and was able to grab her wallet and cell phone from an open window before the driver sped off.

Chart: Bike helmets don’t improve safety—safer streets improve safety

(Courtesy The Toole Design Group)
(Courtesy The Toole Design Group)

streetsblog-logo-02Better street design and getting more people on bikes—not blind faith in helmets—are the keys to making cycling safer, recent research has shown.

Want a good visual to get the point across? The Toole Design Group made this for you.

Of these countries, the United States has the highest rate of helmet usage among cyclists —around 55 percent—but also the highest cyclist fatality rate per distance traveled. Meanwhile, in the Netherlands, where helmet use is practically nil, cycling is much, much safer.

While this is just eight data points, higher helmet use seems to be associated with higher fatality rates. Intuitively, that makes some sense. The more dangerous an activity, the more people feel inclined to take steps to protect themselves.

Despite the high rate of helmet use in the U.S., helmet campaigns have clearly failed to make cycling as safe as it should be. If anything, they’ve distracted from the much more important work of designing safer streets and reducing motor vehicle speeds in cities.

[Editor’s Note: This article has been cross-posted from our partner, StreetsblogWe’re not here to recommend people not wear a bike helmet if they want to or feel it will improve their safety—especially for children. But as we discuss street safety in Louisville, it’s important to recognize that bike helmets don’t necessarily mean safety. Better street design with slower moving traffic improves safety. As this article points out, pushing bike helmets (and reflective clothing) can distract from the bigger picture of safer streets.]

AIA-CKC Home Tour: Greg Burrus on building new in Norton Commons with an eye to historic detailing

The Yarmuth House.
The Yarmuth House.

Home-Tour-2016-LogoOn Saturday, June 11, the Central Kentucky Chapter of the American Institute of Architects (AIA-CKC) will host its annual Home Tour and this year, we’re excited to be presenting media sponsors. The AIA-CKC Home Tour includes eight houses across Louisville, from Crescent Hill to Old Louisville to Norton Commons—you can view a full list here.

Home Tour tickets for all eight houses and an After Party Downtown at the Marketplace on Fourth cost $15 in advance via Eventbrite and $20 at the door of any house on the tour (cash only). Proceeds will benefit Habitat for Humanity. You can also share the Home Tour with your friends on Facebook. At the After Party Broken Sidewalk will be moderating a panel discussion on residential architecture in Louisville.

Leading up to the Home Tour, we’ll be highlighting each of the architects and their houses in exclusive interviews. Architect and builder Greg Burrus has completed two palatial residences inspired by Louisville’s historic architecture.

The Hacet Residence and the Yarmuth Residence, 10912 Meeting Street (map) and 8801 Bergamot Drive (map), respectively, in Norton Commons sit prominently on their sites and feature large wrapping porches. The Hacet Residence is designed to feel like a townhouse with a polished interior and high ceilings. Across the street, the shingle-style Yarmuth House features a casual modern feel with a fenced courtyard and double balconies.


The Hacet Residence. (Courtesy Burrus Architecture & Construction)
The Hacet Residence. (Courtesy Burrus Architecture & Construction)

Broken Sidewalk: Why should I come tour the Hacet and Yarmuth residences?
Greg Burrus: I think it will be worth the drive out to Norton Commons to see two houses on one stop. The Hacet and Yarmuth Residences are on adjacent street corners so you can park on the side street separating the two. They are both fairly large houses with three levels encompassing roughly 9,000 square feet each that will take a while to tour. And both are customized for their client’s respective tastes and programs.

If people haven’t been to Norton Commons before, or if it’s been awhile since they’ve been there, I think they will enjoy driving around the neighborhood to check out all the recent additions and changes. The project is absolutely exploding with new construction, both commercial and residential.

Large octagonal porches at the Yarmuth Residence. (Courtesy Burrus Architecture & Construction)
Large octagonal porches at the Yarmuth Residence. (Courtesy Burrus Architecture & Construction)

What were the owner’s priorities for the project?
For the Yarmuth Residence, some of the priorities included (in no particular order) maximizing views of the park, amphitheater, and lake from the rooms in the front of the house. The client wanted to be able to stand in the kitchen and take in the fabulous view. I placed the kitchen, breakfast room, dining room, and living room all at or near the front of the house with nearly unobstructed views from all of these through French doors and oversized windows.

There’s also a large octagonal porch on the corner that makes a great space to entertain with friends and family, particularly on those nights when there is a concert in the amphitheater. The client also wanted a modern, clean design on the interior that is reflected in all decisions related to finishes, color, cabinets, lighting, and details.

A staircase at the Hacet Residence. (Courtesy Burrus Architecture & Construction)
A staircase at the Hacet Residence. (Courtesy Burrus Architecture & Construction)

The clients for the Hacet Residence wanted to take advantage of the great views and location also, but perhaps with a little less emphasis on openness. This house has a more formal, sophisticated urban townhouse feel.

The first floor features 12-foot-high ceilings with many interesting ceiling treatments. I designed all of the trim, stair details, and cabinets. The clients placed a great deal of trust in us to present a complete, unified design, inside and out. The quality of finishes is top of the line throughout.

The kitchen inside the Hacet Residence. (Courtesy Burrus Architecture & Construction)
The kitchen inside the Hacet Residence. (Courtesy Burrus Architecture & Construction)

What is the heart of the two homes?
As with most houses these days, I would have to say the heart of both houses is the kitchen. This is where entertaining is focused, as well as day-to-day living. The Hacet Residence kitchen has warm, inviting colors, and a variety of light fixtures to enhance the space. The cabinets are solid cherry with Shaker style one-inch-thick door and drawer panels, with true, full overlay design. The quality of cabinet construction from the manufacturer, Finish Design Woodworking, is unmatched in this region by any other cabinet maker, in my opinion. The doors have brushed nickel bar pulls from Top Knobs. The 5-foot-by-10-foot island features a four-cm-thick Taj Mahal quartzite top. All appliances are Subzero/Wolf.

My wife and I took a trip to Chicago with the clients early in the design phase to have time to talk about the many aspects of the design. We visited the Merchandise Mart and spent a great deal of time discussing the options for the kitchen in particular. I think the results speak to a real collaboration between architect and client, probably in this room more than any other. One of the great results of this collaboration is that we’ve become really good friends and have since done two other commercial projects for the same clients.

A steel-framed, free-floating staircase at the Yarmuth Residence. (Courtesy Burrus Architecture & Construction)
A steel-framed, free-floating staircase at the Yarmuth Residence. (Courtesy Burrus Architecture & Construction)

The kitchen in the Yarmuth Residence is also the focus of the first floor of the house. It’s completely open to a small conversation area with a fireplace, the breakfast area, the living room, and the dining room. The free floating staircase is framed out of steel to allow for an unobstructed view between the kitchen and living room. The Shaker style cabinets are soft white with white quartz countertops. The appliances are Subzero/Wolf. The 15-foot-long island is massive, but totally in scale with the size of the combined spaces.

The floors throughout the first floor are natural, rustic maple with clear varnish only, no stain. The living areas and furniture in the Yarmuth Residence are casual, fun, and relaxed. A perfect complement to the owner. This is the third house I’ve designed and built for this same client, and it has been more fun to work with her each time. She truly enjoys the entire process, and that makes the whole experience a joy.

Larger corner lots provided space for outdoor spaces, seen here at the Yarmuth Residence. (Courtesy Burrus Architecture & Construction)
Larger corner lots provided space for outdoor spaces, seen here at the Yarmuth Residence. (Courtesy Burrus Architecture & Construction)

What is the physical context of the houses?
Both clients selected these particular lots because of their proximity to Oval Park across the street and the outdoor amphitheater overlooking a two-acre lake. They are among the most sought after lots in the development because of the views, and yet they are still within a five-minute walk of the town center.

They are both corner lots, and both relatively large for Norton Commons. This allowed for nice size outdoor courtyards. The Yarmuth Residence has a generous covered porch that wraps the entire front and left side of the house, flowing to a natural stone patio and koi pond in the side yard. A painted cedar picket fence encloses the side yard.

The Hacet Residence has a more formal side yard with a square cut travertine terrace, granite topped fire pit in the large conversation area, and a freestanding trellis framing an outdoor kitchen.

What is your favorite moment in each of the houses?
In the Hacet Residence, I think my favorite moment in the house is coming from the foyer into the living room and seeing the full length of the adjoining spaces and the stair open up in front of you. There are so many wonderful details in the main living areas that I never get tired of looking at it from this vantage point. Sometimes if I’m over at the house visiting, or working on something while the clients are out of town, I allow myself to just stand there and enjoy the space. This is truly one of my favorite houses of the hundreds I’ve built over the years.

A side view of the Yarmuth Residence. (Courtesy Burrus Architecture & Construction)
A side view of the Yarmuth Residence. (Courtesy Burrus Architecture & Construction)

At the Yarmuth Residence, there are many moments I enjoy, but I think one that stands out is the way the various porches wrap around the exterior, all the way from the front door continuously around the two-story octagonal porch, down the side by the stone fireplace, and then finally terminating in the rear porch with its large sitting and dining areas. From the large rear porch, one can step down three steps onto the curvilinear stone terrace and enjoy the view of the koi pond, lush landscaping, or sit in a nice comfortable chair and watch the flames flicker in the fire pit.

The wood-paneled office at the Hacet Residence. (Courtesy Burrus Architecture & Construction)
The wood-paneled office at the Hacet Residence. (Courtesy Burrus Architecture & Construction)

Where do you see the your practice headed?
I see our business proceeding on a consistent track for the next few years as it’s been for the last few. My wife and business partner, Jeanie, and I would like to continue to focus on the sort of high end, custom design/build projects that we’re known for. We are a general contractor as well as an architectural firm. We only design projects that we build. We do occasionally build something designed by another architect, and I’m not opposed to doing that as long as it’s something interesting, and profitable obviously. My preference is to concentrate on new construction versus renovation work. We are very selective on the work we do for a number of reasons. We currently have more commercial work than residential, including a four-story, $7 million, 50,000-square-foot mixed-use project with underground parking garage, and a 5,000-square-foot restaurant, both located in Norton Commons.

A stair detail at the Hacet Residence. (Courtesy Burrus Architecture & Construction)
A stair detail at the Hacet Residence. (Courtesy Burrus Architecture & Construction)

I started my company in 1988, and have been involved in residential work from day one. I enjoy the immediacy of doing residential work. Personally, I can’t imagine being in this business without being involved in the construction aspect. I think it would benefit our profession as a whole if more young architects would get involved in construction. Too often it seems we as architects are either too afraid to engage in construction because of perceived liability issues, or because of the potential financial risks involved. Consequently, the construction process is delegated to people with no formal training in design. I just don’t get that. My advice to young people is to jump into construction and learn as much as you can as quick as you can. I thought I knew I a lot about construction when I was younger, but I really knew very little until I got into it as a business. I still learn something new on every project. Life is too short not too get involved in something you love to do.

What trends do you see homeowners leaning toward?
As far as trends in the luxury end of the market, I see clients willing to spend money on energy efficiency, even when it involves extra money up front. Both of the houses on the tour have geothermal heating and cooling, Control 4 home automation systems, Lutron lighting control systems, and LED lighting throughout.

I have seen the sophistication and expectation level of clients rise steadily throughout the course of my career. I think that’s mainly due to the vast amount of information about building, design, and style that is now available 24/7 on the internet, both visual and written. For a while a decade or two ago, I think it was because of the proliferation of TV shows that featured homebuilding and design. But nowadays the go-to source for clients is online. Houzz.com in particular is a great resource for clients to find ideas, and can help them visually express to the architect the types of styles they like. I am continually amazed at the research clients have done sometimes before they even show up for the first meeting.

Celebrating Muhammad Ali: Louisville and the nation remember the Greatest

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Louisville’s Greatest has come home. Muhammad Ali died late last Friday at a Phoenix hospital following health complications. He was 74. The Louisville Lip took the world by storm in both life and now in death, and the outpouring of support, memories, and tributes this week is testament to the legacy of the fighter and humanitarian that helped change the world for the better with his words and actions.

Now the world is looking to Louisville as the city prepares to lay Muhammad Ali to rest. And by all accounts, teams are working around the clock to make sure we’re giving a sendoff deserving of the champ.

“Muhammad Ali died a global icon, a citizen of the world,” Louisville Mayor Greg Fischer said in a statement. “But he was first and always a citizen of Louisville, where he was born and raised. This site is devoted to all things Ali in his hometown.”

https://twitter.com/nba2lou/status/740007355501424640

Below is a collection of stories about Muhammad Ali, a roundup of events planned in his honor, and a look back at the life and work of the GOAT. This list is only a small sliver of what has been written and shared following news of Muhammad Ali’s death, and is by no means complete. Please share your additions in the comments below.

Louisville is suddenly at the center of an international spotlight as locals and Ali supporters the world over watch the city that raised a champ. Locally, an outpouring of support has been seen at Muhammad Ali’s boyhood home, recently restored and opened as a museum, at the Muhammad Ali Center, where tributes have been a daily occurrence (a swarm of bees even made an appearance—C-J, WDRB), parades through the streets, and with preparations for Ali’s two funeral services taking place Thursday and Friday at Freedom Hall and the KFC Yum! Center.

Tributes to Muhammad Ali at the Ali Center Plaza. (Courtesy Muhammad Ali Center)
Tributes to Muhammad Ali at the Ali Center Plaza. (Courtesy Muhammad Ali Center)

Thursday at Freedom Hall, a Jenazah, or Islamic funeral prayer, will be held at noon (doors open at 9:00a.m.). The service will be led by Imam Zaid Shakir, a Muslim American scholar and co-founder of Zaytuna College in Berkeley, California. “To be properly prepared for burial, prayed over, and then buried is a right owed to every single Muslin,” the Imam said in a statement. The arena is the site of Muhammad Ali’s last fight in Louisville on November 29, 1961, where he defeated Willi Besmanoff.

Friday, a formal funeral service will take place at the KFC Yum! Center at 2:00p.m. Among the honorary guests at Muhammad Ali’s funeral include former President Bill Clinton, Billy Crystal, Bryant Gumbel, King Abdullah II of Jordan, Turkish President Recep Tayyip Erdoğan, Will Smith, Lennox Lewis, and many of Ali’s relatives. Imam Shakir will lead the funeral service prayers. The Friday event will be streamed live from www.alicenter.org.

TARC, the Transit Authority of River City, is offering free bus service to anyone attending either service, so long as you have secured a ticket. “Eighteen TARC routes that travel throughout the Louisville metropolitan area stop within a few blocks of the KFC Yum! Center downtown,” a press release reads. “The routes provide access to the YUM! Center from all directions into downtown.”

(Courtesy Metro Louisville)
(Courtesy Metro Louisville)

A funeral procession is planned through the city beginning at A.D. Porter & Sons Funeral Home, 4501 Bardstown Road, and ending at Cave Hill Cemetery, 701 Baxter Avenue, which will be closed to the public for the family’s private burial.

The procession begins at 9:00a.m. Friday and will pass by site’s significant to Muhammad Ali’s family, according to the city. The route travels along Bardstown Road to the Watterson Expressway to Interstate 65 to the Ninth Street exit on Interstate 64. The route then moves to Muhammad Ali Boulevard west toward the Ali boyhood home on 34th street. Then back along Broadway to the cemetery. The public is invited to line the streets during the procession.

(Courtesy Metro Louisville)
(Courtesy Metro Louisville)

Metro Louisville has also announced the I Am Ali festival, taking place today, Wednesday, June 8 from 10:00a.m. to 4:00p.m. The event takes place in the lobby of the Kentucky Center for the Arts, 501 West Main Street, and will “celebrate Ali’s life journey and fierce determination as an example to all children that no matter the circumstances, they can be the greatest at anything they choose,” according to the city.

Wayfinding stations around Downtown feature Muhammad Ali imagery. (Courtesy Metro Louisville)
Wayfinding stations around Downtown feature Muhammad Ali imagery. (Courtesy Metro Louisville)

Additionally, the city has launched a website called Ali’s Louisville dedicated to the memory of Muhammad Ali. The site details landmarks around the city with connections to Muhammad Ali, the champ’s boxing career in his hometown, his humanitarian work, among other topics.

All of these events take time and coordination, and Insider Louisville looked behind the scenes at the people making the Muhammad Ali memorials work. Other happenings going on in the city include:


All Eyes on Louisville

Muhammad Ali drives through Smoketown's former Sheppard Square Homes after winning a championship. (Courtesy Courier-Journal / via Metro Louisville)
Muhammad Ali drives through Smoketown’s former Sheppard Square Homes after winning a championship. (Courtesy Courier-Journal / via Metro Louisville)

Obituaries

Tributes to Muhammad Ali at the Ali Center Plaza. (Courtesy Muhammad Ali Center)
Tributes to Muhammad Ali at the Ali Center Plaza. (Courtesy Muhammad Ali Center)
  • Muhammad Ali Dies at 74: Titan of Boxing and the 20th Century (NYTimes) — Muhammad Ali, the three-time world heavyweight boxing champion who helped define his turbulent times as the most charismatic and controversial sports figure of the 20th century, died on Friday in a Phoenix-area hospital. He was 74.
  • Muhammad Ali, boxing icon and global goodwill ambassador, dies at 74 (WaPo) — Muhammad Ali, the charismatic three-time heavyweight boxing champion of the world, who declared himself “the greatest” and proved it with his fists, the force of his personality and his magnetic charisma, and who transcended the world of sports to become a symbol of the antiwar movement of the 1960s and a global ambassador for cross-cultural understanding, died June 3 at a hospital in Scottsdale, Ariz., where he was living. He was 74.
  • Boxer Muhammad Ali, ‘The Greatest Of All Time,’ Dies At 74 (NPR) — Muhammad Ali, the man considered the greatest boxer of all time, died late Friday at a hospital in Phoenix at age 74. He was battling respiratory problems.
  • Muhammad Ali—boxer, activist and provocateur—dead at 74 (Sports Illustrated) — If Muhammad Ali was in his time the most famous person in the world, it was as much a tribute to his talent for provocation as to his boxing. He was a glorious athlete, of course, his white-tasseled feet a blur to match his whizzing fists. But his legacy as a global personality owes more to that glint in his eye, to his capacity for tomfoolery, to his playfulness. He was a born prankster, giddy in his eagerness to surprise, and the world won’t soon forget his insistence upon fun.
  • Muhammad Ali, 1942–2016 (C-J) — Muhammad Ali, the heavyweight boxing champion named Sportsman of the Century by Sports Illustrated magazine, died June 3, 2016. He was 74

Remembering Muhammad Ali

Picturing Ali

(Courtesy University of Louisville / Flickr)
(Courtesy University of Louisville / Flickr)

Ali in Depth

  • The Outsized Life of Muhammad Ali (New Yorker) — What a loss to suffer, even if for years you knew it was coming. Muhammad Ali, who died Friday, in Phoenix, at the age of seventy-four, was the most fantastical American figure of his era, a self-invented character of such physical wit, political defiance, global fame, and sheer originality that no novelist you might name would dare conceive him. (More from WFPL)
  • When Muhammad Ali Made His Broadway Debut (WFPL) — “Buck White,” an Oscar Brown Jr. musical adaptation of Joseph Dolan Tuotti’s play “Big Time Buck White,” is the story of a militant black lecturer who addresses a meeting organized by a black political group. It was produced in December 1969, with Ali playing the titular role. It was Ali’s first and only Broadway acting credit.
  • Exploring The Friendship Between Muhammad Ali And Malcolm X (WFPL)  — In “Blood Brothers: The Fatal Friendship Between Muhammad Ali and Malcolm X,” authors Johnny Smith and Randy Roberts dive into the close and complicated friendship of Ali and Malcolm. (More from NPR)
  • Muhammad Ali, The Boxing Poet Who Inspired Liquid Prose (NPR / WFPL) — Maybe it was the way his life transected areas that define America – race and religion; war and sports – or perhaps it was his own love for words. Whatever the reason, Muhammad Ali’s life and career inspired writing that was nearly as captivating as the man himself.
  • The Story Behind That Superman and Muhammad Ali Team Up (io9) — In 1978, one of the strangest and most exhilarating comic book issues in DC’s history appeared in stores, featuring one of the greatest team-ups of all time: Superman and Muhammad Ali.
  • How the world paid tribute to Muhammad Ali (The Independent) — All over the world, fans and followers have gathered to mourn the death of Muhammad Ali, with tributes have been coming in from every country.
  • Why we mourn Ali. (Al Jazeera) — A magnificent poet, principled Muslim and anti-war leader who altered the image of what it means to be American.
  • Embracing the Greatest (The Atlantic) — In order to honor Muhammad Ali, we must first fully understand who he was.
  • Muhammad Ali was the greatest—and it was never enough (Fox Sports) — The most famous man in the world said no to war at the risk of imprisonment by the most powerful nation on earth. It didn’t matter how he came to that decision. It mattered only that he risked his future on it. He never wavered, and he gave heart to millions of ordinary citizens who thought that war was as unwise as it was unjust. He was on the right side of history.
  • The Radical Reverberations of Muhammad Ali (The Nation) —  What Muhammad Ali did—in a culture that worships sports and violence as well as a culture that idolizes black athletes while criminalizing black skin—was redefine what it meant to be tough and collectivize the very idea of courage. Through the Champ’s words on the streets and deeds in the ring, bravery was not only standing up to Sonny Liston. It was speaking truth to power, no matter the cost. He was a boxer whose very presence and persona taught a simple and dangerous lesson: “real men” fight for peace and “real women” raise their voices and join the fray. Or as Bryant Gumbel said years ago, “Muhammad Ali refused to be afraid. And being that way, he gave other people courage.”
  • Africa meant a lot to Muhammad Ali—he meant even more to Africa (Quartz) — Ali Bomaye! One of the most iconic catchphrases in the world of boxing in the Lingala language of central Africa, the chants from an enthusiastic crowd in Kinshasa, host to Muhammad Ali’s championship fight with George Foreman in 1974. It epitomized his connection with Africans.
  • The Best Stories Ever Written About Muhammad Ali (Salon) — A collection of great journalism about the greatest of all time.
  • Muhammad Ali, 1942–2016 (Longform) — Our favorite articles ever written about the Champ.